Professional Digital
Video Production
Professional Digital Image Capture
From Studio configurations and Blue/Green Screen shoots, to lightweight portable ENG configurations for location and field shooting.
Bi-color LED lighting package features low power consumption and low heat output. More comfortable interview sets and are great for filming in mixed-lighting environments such as interior spaces with windows and under floursecent lighting. ARRI tungsten package is perfect for that traditional warm light & power to light larger areas.
Mac based editing featuring Final Cut Pro, Motion, Compressor, Logic Pro, Topaz Studio & Adobe Creative Suite.
Videography
Up to 5.7k Digital acquisition. Sharp digital images throughout the production process ensures the image you imagined reaches your audience.
Video Editing
Apple, Adobe & Topaz software for editing & transcoding to formats for web sites & Social Media .
Production
Blair can also support your project performing a variety of production tasks.
for Agencies
From storyboard to screen - Blair has decades of experience providing production services to Agencies. I understand the importance of your vision and work hard to bring your concept to life.
for Corporations
I work directly with clients and guide you through the production process - from concept to script, to shoot & edit to distribution.
Freelance
Blair can refer a crew for your production from his many industry partners including:
Videographer, Grip/Electric, PA', Audio ,Video editor & more.
What clients are saying
"I’ve been working with Blair for nearly three years. Sometimes I have to remind myself that he’s a vendor, as he is truly an extension of our team. He is thorough and highly conscientious about his work and is always looking at ways we can economically improve our videos and webcasts. I would highly recommend him for your video production."
Amy Kweder, VP of Marketing, Rogers Corporation"van Schouwen Associates (vSA) regularly partners with Blair Cole on our important video initiatives. Blair is creatively talented, smart, technically astute, and he delivers consistently strong results. It is a pleasure to work with him."
Michelle vanSchouwen , President, van Schouwen Associates
Production Equipment
LED Lighting Kits - bright, comfortable, cool, low power consumption. Great for interview sets! Bi-color for mixed-light environments. ARRI tungsten light package for that traditional warm look and power for larger environments.
Redrock Micro One Man Crew Director motion control slider dolly. Great for interviews & product shots, the OMC adds subtle motion to otherwise static shots. Its curved track keeps the subject centered and in focus. The iOS app allows remote control from an iPhone - so no operator hovering over the camera.
Camera package:
Panasonic AU-EVA1
Super 35mm with up to 5.7K resolution
422 ALL-I, 422LongGOP & HEVC recording:
• Rokinon matched Cine Lens set 8mm T3.8, 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.5, 85 T1.5,mm, 85mm T1.5, Canon USM L Series: 17-35mm f2.8, 24-70mm f2.8, 70-200mm f2.8, 100-400 f4.5 • redrockmicro 4" x 5.65"
Canon TS-E 24mm, 45mm & 90 mm Tilt Shift Lenses. Mattebox • redrockmicro Follow Focus • Tiffen 4" x 4" & 4" x 5.65" Filter set, Atomos Shogun Inferno
Additional equipment
- Glidecam Camcrane 200
Digital Juice Slyderdolly - Sennheiser 100-P Series wireless lavalier mic systems
Rode NTG-2 shotgun/windscreen/boom pole - C-Stands, sandbags, Matthews flags/nets, relectors
Source Four Zoom Ellipsiodal 575/ 750ws
- Matthews 12' x 12' Blue/Green screen with stand kit
Always In Gear
Ready for Anything
Teleprompter and PrompterPro Software for scripts or PowerPoint
Portable Matthews 12'x Blue/Green Screen for studio and location shoots
Focus on what matters
Rokinon matched Cine Lens set 8mm T3.8, 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.5, 85 T1.5,mm, 85mm T1.5, Canon USM L Series: 17-35mm f2.8, 24-70mm f2.8, 70-200mm f2.8, 100-400 f4.5
We are Flexible
Provide full production crews to smaller agile field production and "run and gun" one man crews